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Tuesday, September 28, 2010
I`AM HERE BY LOUIS PARK FOR FIASCO MAGAZINE
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NUMERO TOKIO # 41 NOVEMBER 2010
PUCCI FOR INTERVIEW OCTOBER 2010
Labels:
Abbey Lee,
Editoriales,
INTERVIEW,
MARIO SORRENTI,
PETER DUNDAS
INTERVIE OCTOBER 2010
Labels:
COVER,
INTERVIEW,
MERT ALAS AND MARCUS PIGGOTT,
Naomi Campbell
VERSACE SPRING 2011 RTW
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SUVI KOPONEN
Not for Donatella Versace, the feminine floor-sweepers that are floating up and down Milanese runways this week. "Rigor with sensuality"—that was her focus for Spring. And the focus was absolute: A handful of elements combined to create a statement that was limited but strong.
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The models' hair cued a new strictness. Gone the supermodel mane, to be replaced by a tight topknot wrapped by Guido Palau and his team in PVC. Pat McGrath's makeup emphasized a strong brow at the expense of other features.
The look had a my-way-or-the-highway fierceness, but it was subtly realized. There was a kind of fetishistic tug to an outfit like the blue apron dress with the harness back; you felt it, too, in the severe silhouette, whose focus was alternately a pencil skirt that ended just below the knee or a fitted mid-thigh length.
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ALLA KOSTROMICHOVA
This looked best in a trim coat-dress, which came in white piqué or black leather for maximum all-styles-served-here effect. As Donatella pointed out, the longer skirt could be paired with a midriff-baring tank or a top scissored into an asymmetric racerback—not so maîtresse after all. The cutouts were carried over to the footwear. The athleticism in such detailing gave the collection an energetic charge.
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The strong, clear colors played a role, as well—Mediterranean blue, orange, shades of red, combined in a strong, summery stripe. Donatella also revived the Greek key, the decorative border that is a classic Versace code.
It was traced in vinyl on a white jacket or combined with the stripes in a collage-y print on a sundress. All of this was played against a white that was as stark as the houses on a sun-bleached Greek island.
Donatella extended that slightly classical notion into cocktail and evening dresses, adding fringe for movement, then weaving and draping it so it looked like something plucked from a Parthenon frieze.
The goddess dress has been a house specialty from the beginning, so here it seemed like a perfectly logical conclusion for a Versace collection that drew its strength from the label's roots.
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FREJA BEHA ERICHSEN
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KASIA STRUSS
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JOAN SMALLS
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VLADA RUSLYAKOVA
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KINGA RAJZAK
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SARA BLOMQVIST
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DARIA STROKOUS
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DAPHNE GROENEVELD
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LINDSEY WIXON
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SIGRID AGREN
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CAROLINE BRASCH NIELSEN
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CARLA GEBHART
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KORI RICHARDSON
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SUVI KOPONEN
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JACQUELYN JABLONSKI
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ALLA KOSTROMICHOVA
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SIRI TOLLEROD
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MIRTE MAAS
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HAILEY CLAUSON
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VLADA ROSLYAKOVA
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FREJA BEHA ERICHSEN
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JOAN SMALLS
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DAPHNE GROENEVELD
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KASIA STRUSS
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SAMANTHA GRADDOVILLE
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KINGA RAJZAK
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CARLA GEBHART
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SIGRID AGREN
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ALLA KOSTROMICHOVA
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LINDSEY WIXON
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SUVI KOPONEN
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DONATELLA VERSACE
Labels:
Abbey Lee,
Alla Kostromichova,
CARLA GEBHART,
Ginta Lapina,
Jac,
Jacquelyn Jablonski,
karmen Pedaru,
Lindsey Wixson,
Samantha Gradoville,
Sigrid Agren,
SPRING 2011 RTW,
SUVI KOPONEN,
Versace
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