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"I've been liking things where you can't quite understand what you're looking at," said Christopher Bailey, searching for words to describe the blurry visual effect of a soft, puffy-edged, bark-textured trench over a short gauze draped dress.
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Elsewhere, what appeared at first glance to be a fluffy pale jacket of tufted tulle turned out to be made of leather, minutely shaved with razors to give an "eyelash"-fine 3-D texture.
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Bailey was describing these sleights of hand in the showroom of the vast new eight-story Burberry building—slap-bang next to MI5's HQ—where 90 of the designer's team work on teasing the nuances out of the global brand.
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The intense level of in-house research and fabric innovation is worn lightly, creating a raft of effects here that Bailey described with adjectives like "cloudy," "seductive," and "relaxed."
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The result: a lightened-up, youthful lineup of pragmatic day-to-day separates—like puffy-shouldered knits with a knot in the sleeve and pleated pants with rolled cuffs—that pays attention to delivering specialness while deflating any sense of showy luxe.
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Bailey promises this direction and color palette will inform his September show in London, a gala affair the Brit says he's already anticipating with a frisson of nerves: "I've been working for ten years, but it's my first show here, ever. So it's going to be really exciting."
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Anabela Belikova
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